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Works which had been suppressed or forgotten are once more on the programme, pieces which have seldom or never been heard — especially by composers who vanished from sight under the Nazis and are in many cases unjustly forgotten even today. Operettas are performed predominantly, though occasionally also operas such as The Bartered Bride and Cavalleria rusticana, Der Bajazzo. A particular feature of these situations is that group members are absolutely convinced either that the adjustment is or is not absolutely necessary. It is a magnificent amusement palace in neo-Baroque style, with tables in the rear section of the stalls, boxes along the sides of the circles and a balcony-terrace in the middle of the first circle. Is there common ground about how they can become transformed or not in psychoanalysis, or if not, what are the lines of divergence? Clearly, when threats are in the atmosphere, doors get closed as ways of thinking about them, their origin and the alternative ways they might be dealt with, all become hard. Pain seems to be around a lot in current discourse. In the years to come his principles are extremely influential on attitudes towards musical theatre, and they are copied throughout Europe. On the first Friday afternoon, we will attempt a spontaneous roundtable discussion between the moderators to talk about why we chose this theme and to open up what we think may be crucial about it. And in doing so, equal emphasis will be placed on both parts of the term musical theatre. This can turn up in sessions with accounts of how analysts have become very unsure if psychoanalysis is the treatment of choice. Some psychoanalysts and their institutions are experiencing profound existential pain:

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